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Radiohead

Band from Abingdon

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Jigsaw Falling Into Place

Radiohead

Radiohead Biography

Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. The band consists of Thom Yorke, brothers Jonny Greenwood and Colin Greenwood (bass), Ed O'Brien and Philip Selway. They have worked with producer Nigel Godrich and cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.History 1985–1992: Formation and first years Abingdon School, where the band formed The members of Radiohead met while attending Abingdon School, an independent school for boys in Abingdon, Oxfordshire. Guitarist and singer Thom Yorke and bassist Colin Greenwood were in the same year, guitarist Ed O'Brien and drummer...
Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. The band consists of Thom Yorke, brothers Jonny Greenwood and Colin Greenwood (bass), Ed O'Brien and Philip Selway. They have worked with producer Nigel Godrich and cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.

History

1985–1992: Formation and first years

Abingdon School, where the band formed

The members of Radiohead met while attending Abingdon School, an independent school for boys in Abingdon, Oxfordshire. Guitarist and singer Thom Yorke and bassist Colin Greenwood were in the same year, guitarist Ed O'Brien and drummer Philip Selway the year above, and multi-instrumentalist Jonny Greenwood, brother of Colin, two years below. In 1985, they formed On a Friday, the name referring to their usual rehearsal day in the school's music room. Jonny was the last to join, first on harmonica and then keyboards, but soon became lead guitarist; he had previously been in another band, Illiterate Hands, with musician Nigel Powell and Yorke's brother Andy Yorke. According to Colin, the band members picked their instruments because they wanted to play together, rather than through any particular interest: "It was more of a collective angle, and if you could contribute by having someone else play your instrument, then that was really cool." At one point, On a Friday featured a saxophone section.

The band disliked the school's strict atmosphere—the headmaster once charged them for using a rehearsal room on a Sunday—and found solace in the school's music department. They credited their music teacher for introducing them to jazz, film scores, postwar avant-garde music, and 20th-century classical music. Oxfordshire and the Thames Valley had an active independent music scene in the late 1980s, but it centred on shoegazing bands such as Ride and Slowdive. On the strength of an early demo, On a Friday were offered a record deal by Island Records, but they decided they were not ready and wanted to go to university first.

Advertisement placed in Oxford music magazine Curfew announcing On a Friday's change of name

Although all but Jonny had left Abingdon by 1987 to attend university, On a Friday continued to rehearse on weekends and holidays. At the University of Exeter, Yorke played with the band Headless Chickens, performing songs including future Radiohead material. He also met artist Stanley Donwood, who later created artwork for Radiohead. In 1991, On a Friday regrouped, sharing a house on the corner of Magdalen Road and Ridgefield Road, Oxford.

As On a Friday continued to perform in Oxford, record labels and producers became interested. Chris Hufford, Slowdive's producer and co-owner of Oxford's Courtyard Studios, attended an early On a Friday concert at the Jericho Tavern. Impressed, he and his partner Bryce Edge produced a demo tape and became On a Friday's managers; they remain Radiohead's managers today. In late 1991, after a chance meeting between Colin and A&R representative Keith Wozencroft at Our Price, the record shop where Colin worked, On a Friday signed a six-album recording contract with EMI. At EMI's request, the band changed their name; "Radiohead" was taken from the song "Radio Head" on the Talking Heads album True Stories (1986).

1992–1994: "Creep", Pablo Honey and early success

Radiohead recorded their debut release, the Drill EP, with Hufford and Edge at Courtyard Studios. Released in May 1992, its chart performance was poor. The band enlisted Paul Kolderie and Sean Slade, who had worked with US indie bands Pixies and Dinosaur Jr., to produce their debut album, recorded quickly in an Oxford studio in 1992. With the release of the "Creep" single later that year, Radiohead began to receive attention in the British music press, not all of it favourable; NME described them as "a lily-livered excuse for a rock band", and "Creep" was blacklisted by BBC Radio 1 because it was deemed "too depressing".

Radiohead released their debut album, Pablo Honey, in February 1993. It stalled at number 22 in the UK charts, as "Creep" and its follow-up singles "Anyone Can Play Guitar" and "Stop Whispering" failed to become hits. "Pop Is Dead", a non-album single, also sold poorly; O'Brien later called the track "a hideous mistake". Some critics compared the band's early style to the wave of grunge music popular in the early 1990s, dubbing them "Nirvana-lite", and Pablo Honey failed to make a critical or a commercial impact upon its initial release.

In early 1993, Radiohead began to attract listeners elsewhere. "Creep" had been played frequently on Israeli radio by influential DJ Yoav Kutner, and in March, after the song became a hit in that country, Radiohead were invited to Tel Aviv for their first gig overseas. Around the same time, "Creep" began receiving airplay in US radio stations and rose to number two on the US modern rock chart. By the time Radiohead began their first North American tour in June 1993, the music video for "Creep" was in heavy rotation on MTV. The song entered the lower reaches of the top 40 on the Billboard Hot 100 chart, and hit number seven in the UK Singles Chart when EMI rereleased it in September.

1994–1995: The Bends, critical recognition and growing fanbase

Radiohead began work on their second album in 1994 with veteran Abbey Road Studios producer John Leckie. Tensions were high, with mounting expectations to match the success of "Creep". Recording felt unnatural in the studio, with the band having over-rehearsed the material. Seeking a change of scenery, they toured the Far East, Australasia and Mexico and found greater confidence performing their new music live. However, troubled by his new fame, Yorke became disillusioned with being "at the sharp end of the sexy, sassy, MTV eye-candy lifestyle" he felt he was helping to sell to the world. The My Iron Lung EP and single, released in 1994, was Radiohead's reaction, marking a transition towards the greater depth they aimed for on their second album. It was Radiohead's first collaboration with their future producer Nigel Godrich, then working under Leckie as an audio engineer, and artist Stanley Donwood, who has produced all of Radiohead's artwork since. Promoted through alternative radio stations, My Iron Lung's sales were better than expected, and suggested that the band had found a loyal fanbase and were not one-hit wonders.

Having introduced more new songs on tour, Radiohead finished recording their second album by the end of 1994, and released The Bends in March 1995. The album was driven by dense riffs and ethereal atmospheres from the three guitarists, with greater use of keyboards than their debut. It received stronger reviews for its songwriting and performances. While Radiohead were seen as outsiders to the Britpop scene that dominated music media at the time, they were finally successful in their home country with The Bends, as singles "Fake Plastic Trees", "High and Dry", "Just", and "Street Spirit (Fade Out)" made their way to chart success. "High and Dry" became a modest hit, but Radiohead's growing fanbase was insufficient to repeat the worldwide success of "Creep". The Bends peaked at No. 88 on the US album charts, which remains Radiohead's lowest showing there. Jonny Greenwood said The Bends had been a "turning point" for Radiohead: "It started appearing in people's [best-of] polls for the end of the year. That's when it started to feel like we made the right choice about being a band." In later years, The Bends appeared in many publications' lists of the best albums of all time, including Rolling Stone's 2012 edition of the "500 Greatest Albums of All Time" at No. 111.

In 1995, Radiohead again toured North America and Europe, this time in support of R.E.M., one of their formative influences and at the time one of the biggest rock bands in the world. The buzz generated by such famous fans as R.E.M. singer Michael Stipe, along with distinctive music videos for "Just" and "Street Spirit", helped to sustain Radiohead's popularity outside the UK. The night before a performance in Denver, Colorado, Radiohead's tour van was stolen, and with it their musical equipment. Yorke and Jonny Greenwood performed a stripped-down acoustic set with rented instruments and several shows were cancelled. [nb 1] Their first live video, Live at the Astoria, was released in 1995.

1995–1998: OK Computer and critical acclaim

Yorke performing with Radiohead in 1998

By late 1995, Radiohead had already recorded one song that would appear on their next record. "Lucky", released as a single to promote the War Child charity's The Help Album, was recorded in a brief session with Nigel Godrich, the young audio engineer who had assisted on The Bends and produced a 1996 B-side, "Talk Show Host". Radiohead decided to self-produce their next album with Godrich, and began work in early 1996. By July they had recorded four songs at their rehearsal studio, Canned Applause, a converted apple shed in the countryside near Didcot, Oxfordshire. In August 1996, Radiohead toured as the opening act for Alanis Morissette. They resumed recording not at a studio but at St. Catherine's Court, a 15th-century mansion near Bath. The sessions were relaxed, with the band playing at all hours of the day, recording in different rooms, and listening to the Beatles, DJ Shadow, Ennio Morricone and Miles Davis for inspiration.

Radiohead released their third album, OK Computer, in May 1997. It found the band experimenting with song structures and incorporating ambient, avant-garde and electronic influences, prompting Rolling Stone to call the album a "stunning art-rock tour de force". Radiohead denied being part of the progressive rock genre, but critics began to compare their work to Pink Floyd, whose early 1970s work influenced Jonny Greenwood's guitar parts at the time. Some compared OK Computer thematically to Floyd's bestseller The Dark Side of the Moon (1973), although Yorke said the album's lyrics were inspired by observing the "speed" of the world in the 1990s. Yorke's lyrics, embodying different characters, had expressed what one magazine called "end-of-the-millennium blues" in contrast to the more personal songs of The Bends. According to journalist Alex Ross, Radiohead had become "the poster boys for a certain kind of knowing alienation—as the Talking Heads and R.E.M. had been before". OK Computer received critical acclaim. Yorke said he was "amazed it got the reaction it did. None of us fucking knew any more whether it was good or bad. What really blew my head off was the fact that people got all the things, all the textures and the sounds and the atmospheres we were trying to create."

OK Computer was Radiohead's first number-one UK chart debut, and brought them commercial success around the world. Despite peaking at number 21 in the US charts, the album eventually met with mainstream recognition there, earning Radiohead their first Grammy Awards recognition, winning Best Alternative Album and a nomination for Album of the Year. "Paranoid Android", "Karma Police" and "No Surprises" were released as singles, of which "Karma Police" was most successful internationally. OK Computer went on to become a staple of "best-of" British album lists. In the same year, Radiohead became one of the first bands in the world to have a website, and developed a devoted online following; within a few years, there were dozens of fansites devoted to them.

OK Computer was followed by the year-long Against Demons world tour, including Radiohead's first headline Glastonbury Festival performance in 1997. Despite technical problems that almost caused Yorke to abandon the stage, the performance was acclaimed and cemented Radiohead as a major live act. Grant Gee, the director of the "No Surprises" video, filmed the band on tour for the 1999 documentary Meeting People Is Easy. The film portrays the band's disaffection with the music industry and press, showing their burnout over the course of the tour. Since its release, OK Computer is often acclaimed as a landmark record of the 1990s and the Generation X era, and one of the greatest albums in recording history.

1998–2002: Kid A, Amnesiac and change in sound

In 1998, Radiohead performed at a Paris Amnesty International concert and the Tibetan Freedom Concert. In March, they and Godrich entered Abbey Road Studios to record a song for the 1998 film The Avengers, "Man of War", but were unsatisfied with the results and the song went unreleased. Yorke described the period as a "real low point"; he developed depression, and the band came close to splitting up.

Jonny Greenwood has used a variety of instruments, such as this glockenspiel, in live concerts and recordings.

In early 1999, Radiohead began work on their next album. Although the success of OK Computer meant there was no longer pressure from their record label, tensions were high. Band members had different visions for Radiohead's future, and Yorke suffered from writer's block, influencing him toward more abstract, fragmented songwriting. Radiohead secluded themselves with Godrich in studios in Paris, Copenhagen, and Gloucester, and in their new studio in Oxford. O'Brien kept an online diary, reporting their progress. After nearly 18 months, Radiohead's recording sessions were completed in April 2000.

Radiohead's fourth album, Kid A, was released in October 2000. A departure from OK Computer, Kid A featured a minimalist and textured style with more diverse instrumentation, including the ondes Martenot, programmed electronic beats, strings, and jazz horns. It debuted at number one in many countries, including the US, where it became the first Radiohead album to debut atop the Billboard chart and the first US number-one album by any UK act since the Spice Girls in 1996. This success was attributed variously to marketing, to the album's leak on the file-sharing network Napster a few months before its release, and to advance anticipation based, in part, on the success of OK Computer. Although Radiohead released no singles from Kid A, promos of "Optimistic" and "Idioteque" received radio play, and a series of "blips", short videos set to portions of tracks, were played on music channels and released free online. Inspired by Naomi Klein's anti-globalisation book No Logo, Radiohead continued a 2000 tour of Europe in a custom-built tent free of advertising; they also promoted Kid A with three sold-out North American theatre concerts.

Kid A received a Grammy Award for Best Alternative Album and a nomination for Album of the Year in early 2001. It won both praise and criticism in independent music circles for appropriating underground styles of music; some British critics saw Kid A as a "commercial suicide note" and "intentionally difficult", and longed for a return to Radiohead's earlier style. Fans were similarly divided; along with those who were appalled or mystified, many saw it as the band's best work. Yorke denied that Radiohead had set out to eschew expectations, saying: "We're not trying to be difficult ... We're actually trying to communicate but somewhere along the line, we just seemed to piss off a lot of people ... What we're doing isn't that radical." The album was ranked one of the best of all time by publications including Time and Rolling Stone; Pitchfork, the Times and Rolling Stone named it the best album of the decade.

Radiohead's fifth album, Amnesiac, was released in May 2001. It comprised additional tracks from the Kid A sessions, including "Life in a Glasshouse", featuring the Humphrey Lyttelton Band. Radiohead stressed that they saw Amnesiac not as a collection of B-sides or outtakes from Kid A but an album in its own right. It topped the UK Albums Chart and reached number two in the US, and was nominated for a Grammy Award and the Mercury Music Prize. Radiohead embarked on a world tour, visiting North America, Europe and Japan. "Pyramid Song" and "Knives Out", Radiohead's first singles since 1998, were modestly successful. I Might Be Wrong: Live Recordings, released in November 2001, features performances of seven songs from Kid A and Amnesiac, plus a performance of the unreleased track "True Love Waits".

2002–2004: Hail to the Thief and solo work

In July and August 2002, Radiohead toured Portugal and Spain, playing a number of new songs. For their next album, they sought to explore the tension between human and machine-generated music and capture a more immediate, live sound. They and Godrich recorded most of the material in two weeks at Ocean Way Recording in Los Angeles. The band described the recording process as relaxed, in contrast to the tense sessions for Kid A and Amnesiac. Radiohead also composed music for "Split Sides", a dance piece by the Merce Cunningham Dance Company, which debuted in October 2003 at the Brooklyn Academy of Music.

Radiohead's sixth album, Hail to the Thief, was released in June 2003. Its lyrics were influenced by what Yorke called "the general sense of ignorance and intolerance and panic and stupidity" following the 2000 election of US President George W. Bush. The album was promoted with a website, radiohead.tv, where short films, music videos, and studio webcasts were streamed. Hail to the Thief debuted at number one in the UK and number three on the Billboard chart, and was eventually certified platinum in the UK and gold in the US. The singles "There There", "Go to Sleep" and "2 + 2 = 5" achieved heavy circulation on modern rock radio. At the 2004 Grammy Awards, Radiohead were again nominated for Best Alternative Album, and producer Godrich and engineer Darrell Thorp received the Grammy Award for Best Engineered Album. In May 2003, Radiohead embarked on a world tour and headlined Glastonbury Festival for the second time. The tour finished in May 2004 with a performance at the Coachella Festival in California. A compilation of Hail to the Thief B-sides, remixes and live performances, Com Lag (2plus2isfive), was released in April 2004.

Radiohead at the 2004 Coachella Music Festival

Hail to the Thief was Radiohead's final album with EMI; in 2006, the New York Times described Radiohead as "by far the world's most popular unsigned band". Following the Hail to the Thief tour, Radiohead went on hiatus to spend time with their families and work on solo projects. Yorke and Jonny Greenwood contributed to the Band Aid 20 charity single "Do They Know It's Christmas?", produced by Godrich. Greenwood composed soundtracks for the films Bodysong (2004) and There Will Be Blood (2007); the latter was the first of several collaborations between Greenwood and director Paul Thomas Anderson.

In July 2006, Yorke released his debut solo album, The Eraser, comprising mainly electronic music. He stressed it was made with the band's blessing, and that Radiohead were not breaking up. Radiohead guitarist Jonny Greenwood said: "He had to get this stuff out, and everyone was happy [for Yorke to make it] ... He'd go mad if every time he wrote a song it had to go through the Radiohead consensus."

2004–2009: Departure from EMI, In Rainbows, and "pay what you want"

Radiohead began work on their seventh album in February 2005. Instead of involving Godrich, Radiohead hired producer Spike Stent, but the collaboration was unsuccessful. In September 2005, Radiohead contributed "I Want None of This", a piano dirge, for the War Child charity album Help: A Day in the Life. The album was sold online, with "I Want None of This" the most downloaded track, though it was not released as a single. In late 2006, after touring Europe and North America with new material, Radiohead re-enlisted Godrich and resumed work in London, Oxford and rural Somerset, England. Recording ended in June 2007 and the recordings were mastered the following month.

Radiohead released their seventh album, In Rainbows, on their website on 10 October 2007 as a download for any amount users wanted, including £0. The landmark pay-what-you-want release, the first for a major act, made headlines worldwide and sparked debate about the implications for the music industry. According to Mojo, the release was "hailed as a revolution in the way major bands sell their music", and the media's reaction was "almost overwhelmingly positive"; Time called it "easily the most important release in the recent history of the music business". However, it drew criticism from musicians such as Lily Allen and Kim Gordon, who felt it undercut less successful acts.

In Rainbows was downloaded an estimated 1.2 million times on the day of release, but Radiohead's management did not release sales figures, claiming that the distribution was intended to boost later retail sales. Colin Greenwood explained the internet release as a way of avoiding the "regulated playlists" and "straitened formats" of radio and TV, ensuring fans around the world could all experience the music at the same time, and preventing leaks in advance of a physical release. O'Brien said the self-release strategy sold fewer records, but made more money for the band as there was no middleman. A special "discbox" edition of In Rainbows, containing the record on vinyl, a book of artwork, and a CD of extra songs, was also sold from Radiohead's website and shipped in late 2007.

The retail version of In Rainbows was released in the UK in late December 2007 on XL Recordings and in North America in January 2008 on TBD Records, charting at number one in the UK and in the US. The success – after having been legally available for months as a free download – was Radiohead's highest chart placement in the US since Kid A. It became their fifth UK number-one album and sold more than three million copies in one year. The album received acclaim for its more accessible sound and personal lyrics. It was nominated for the Mercury Music Prize and won the 2009 Grammy awards for Best Alternative Music Album and Best Boxed or Special Limited Edition Package. It was nominated for five other Grammy awards, including Radiohead's third nomination for Album of the Year. Yorke and Jonny Greenwood performed "15 Step" with the University of Southern California Marching Band at the televised award show.

Radiohead performing at the 2008 Main Square Festival in Arras, France

The first single from In Rainbows, "Jigsaw Falling into Place", was released in January 2008. It was followed by "Nude" on 31 March, which debuted at number 37 in the Billboard Hot 100; it was Radiohead's first song to enter the chart since "High and Dry" (1995) and their first US top 40 since "Creep". In July, Radiohead released a digitally shot video for "House of Cards". Radiohead held remix competitions for "Nude" and "Reckoner", releasing the separated stems for fans to remix. In April 2008, Radiohead launched W.A.S.T.E. Central, a social networking service for Radiohead fans. In May, VH1 broadcast In Rainbows – From the Basement, a special episode of the music television show From the Basement in which Radiohead performed songs from In Rainbows. It was released on iTunes in June. From mid-2008 to early 2009, Radiohead toured North America, Europe, Japan and South America to promote In Rainbows, and headlined the Reading and Leeds Festivals in August 2009.

In 2007, EMI was acquired by the private equity firm Terra Firma. Radiohead were critical of the new management and no deal was agreed. The Independent reported that EMI had offered Radiohead a £3 million advance, but had refused to relinquish rights to the band's back catalogue. An EMI spokesman stated that Radiohead had demanded "an extraordinary amount of money". Radiohead's management and Yorke released statements denying that they had asked for a large advance, but had instead wanted control over their back catalogue.

Days after Radiohead signed to XL, EMI announced a box set of Radiohead material recorded before In Rainbows, released in the same week as the In Rainbows special edition. Commentators including the Guardian saw the move as retaliation for the band choosing not to re-sign with EMI. In June 2008, EMI released a greatest hits album, Radiohead: The Best Of. It was made without Radiohead's involvement and contains only songs recorded under their contract with EMI. Yorke was critical of the release, calling it a "wasted opportunity". In August 2008, EMI reissued "special editions" of Radiohead's back catalogue as part of its "From the Capitol Vaults" series.

2012–2014: Hiatus and move to XL

Radiohead performing on the 2012 King of Limbs tour

After the King of Limbs tour, the band members worked on further side projects. In February 2013, Yorke and Godrich's band Atoms for Peace released a studio album, Amok. The pair made headlines that year for their criticism of the free music streaming service Spotify; Yorke accused Spotify of only benefiting major labels with large back catalogues, and encouraged artists to build their own "direct connections" with audiences instead.

In February 2014, Radiohead released the Polyfauna app for smartphones, a collaboration with the British digital arts studio Universal Everything using music and imagery from The King of Limbs. In May, Yorke contributed a soundtrack, Subterranea, to The Panic Office, an installation of Radiohead artwork in Sydney, Australia. Yorke and Selway released their solo albums Tomorrow's Modern Boxes and Weatherhouse in late 2014. Jonny Greenwood scored his third Anderson film, Inherent Vice; it features a new version of an unreleased Radiohead song, "Spooks", performed by Greenwood and members of Supergrass. Junun, a collaboration between Greenwood, Godrich, Israeli composer Shye Ben Tzur and Indian musicians, was released in November 2015, accompanied by a documentary directed by Anderson.

In April 2016, Radiohead's back catalogue was acquired by XL Recordings, which had released the retail editions of In Rainbows and The King of Limbs and most of Yorke's solo work. XL reissued Radiohead's back catalogue on vinyl in May 2016.

2014–2017: A Moon Shaped Pool and OKNOTOK

Radiohead began work on their ninth studio album in September 2014. In 2015, they resumed work in the La Fabrique studio near Saint-Rémy-de-Provence, France. The sessions were marred by the death of Godrich's father and Yorke's separation from his wife, Rachel Owen, who died from cancer in 2016. Work was interrupted when Radiohead were commissioned to write the theme for the 2015 James Bond film Spectre; after their song, "Spectre", was rejected, Radiohead released it on the audio streaming site SoundCloud on Christmas Day 2015.

Radiohead's ninth studio album, A Moon Shaped Pool, was released in May 2016 on Radiohead's website and online music stores, followed by retail versions in June via XL Recordings. It was promoted with music videos for the singles "Burn the Witch" and "Daydreaming", the latter directed by Anderson. The album includes several songs written years earlier, including "True Love Waits", and strings and choral vocals performed by the London Contemporary Orchestra. It was Radiohead's sixth UK number-one album and reached number three in the US. It was the fifth Radiohead album nominated for the Mercury Prize, making Radiohead the most shortlisted act in the award's history, and was also nominated for Best Alternative Music Album and Best Rock Song (for "Burn the Witch") at the 59th Annual Grammy Awards. It appeared on several publications' lists of the best albums of the year.

Radiohead performing on the 2016 Moon Shaped Pool tour

In 2016, 2017, and 2018, Radiohead toured Europe, Japan, and North and South America, including headline shows at the Coachella and Glastonbury festivals. The tours included a performance in Tel Aviv in July 2017, disregarding the Boycott, Divestment and Sanctions campaign for an international cultural boycott of Israel. The performance was criticised by artists including musician Roger Waters and filmmaker Ken Loach, and a petition urging Radiohead to cancel it was signed by more than 50 prominent figures. Yorke responded in a statement: "Playing in a country isn't the same as endorsing the government. Music, art and academia is about crossing borders not building them, about open minds not closed ones, about shared humanity, dialogue and freedom of expression."

In June 2017, Radiohead released a 20th-anniversary OK Computer reissue, OKNOTOK 1997 2017, comprising a remastered version of the album, B-sides, and three previously unreleased tracks: "I Promise", "Man of War" and "Lift". Radiohead promoted the reissue with music videos for the three new tracks. OKNOTOK debuted at number two on the UK Album Chart, boosted by Radiohead's televised Glastonbury performance that week, and reached number 23 on the US Billboard 200. Yorke and Jonny Greenwood performed a benefit concert in Le Marche, Italy, in August 2017 following the August 2016 Central Italy earthquake. In September, the nature documentary series Blue Planet II premiered featuring a new version of the King of Limbs track "Bloom", created with composer Hans Zimmer.

2017–present: Side projects and Kid A Mnesia

In 2017, Selway released his third solo work, the soundtrack to the film Let Me Go. Jonny Greenwood scored his second film by Lynne Ramsay, You Were Never Really Here (2018), and was nominated for an Academy Award for Best Original Score for his fifth collaboration with Anderson, Phantom Thread (2017). Yorke released his first feature film soundtrack, Suspiria (2018), and his third solo album, Anima (2019), backed by a short film directed by Anderson. O'Brien released his debut solo album, Earth, in 2020. He had been writing songs for years, but felt they had a "distinct energy" that would be lost with Radiohead.

Radiohead were nominated for the Rock and Roll Hall of Fame in 2017, their first year of eligibility. They were nominated again in 2018 and inducted the following March. In June 2019, several hours of recordings made by Radiohead during the OK Computer period leaked online. In response, Radiohead made the recordings available to purchase online as MiniDiscs [Hacked], with all proceeds to the environmentalist group Extinction Rebellion.

In December, Radiohead made their discography available free to stream on YouTube. On 19 January 2020, they launched the Radiohead Public Library, an online archive of their work, including music videos, live performances, artwork, newsletters, old versions of their website and the 1998 documentary Meeting People Is Easy. Radiohead suspended their online content for Blackout Tuesday on 2 June, protesting racism and police brutality.

In a livestream event held by Glastonbury Festival in May 2021, Yorke and Jonny Greenwood debuted a new band, the Smile, a collaboration with Godrich and drummer Tom Skinner. Greenwood said the project was a way for him and Yorke to work together during the COVID-19 lockdown. Guardian critic Alexis Petridis described the Smile as "more skeletal and knottier version of Radiohead", with unusual time signatures, complex riffs and "hard-driving" motorik psychedelia.

On September 7, 2021, Radiohead announced Kid A Mnesia, an anniversary reissue compiling Kid A and Amnesiac. It includes a third album, Kid Amnesiae, comprising previously unreleased material from the sessions. Radiohead promoted the reissue with a download single and video for the previously unreleased track "If You Say the Word". The reissue is scheduled for release on November 5. Kid A Mnesia Exhibition, an interactive experience with music and artwork from the albums, is scheduled for release in November for PlayStation 5, macOS and Windows.

Style and songwriting

Radiohead's musical style has been described as art rock, alternative rock, electronica, experimental rock, progressive rock, Britpop, grunge, art pop, and electronic rock. Joe Taysom of Far Out referred to Radiohead technically as a stadium rock band. Among Radiohead's earliest influences were Queen, Bob Dylan, Pink Floyd and Elvis Costello, post-punk acts such as Joy Division, Siouxsie and the Banshees and Magazine, and significantly 1980s alternative rock bands such as R.E.M., U2, the Pixies, the Smiths and Sonic Youth. By the mid-1990s, Radiohead began to adopt recording methods from hip hop, inspired by the sampling work of DJ Shadow, and became interested in using computers to generate sounds. Other influences include the soundtracks of Ennio Morricone, 1960s rock groups such as the Beatles and the Beach Boys, and Phil Spector's "wall of sound" production.

Radiohead have cited 60s and 70s jazz artists such as Miles Davis, Charles Mingus and Alice Coltrane as influences. According to Jonny Greenwood, “We bring in our favourite jazz albums, and say: we want to do this. And we enjoy the sound of our failing!" He likened their jazz influence to 1950s English bands imitating American blues records. Drummer Clive Deamer, who has recorded and performed with Radiohead since 2011, said Radiohead do not see themselves as a rock band and that their methodology had closer parallels with jazz: "They deliberately try to avoid cliché and standard forms for the sake of the song ... Rock bands don't do that. It's far more like a jazz mentality."

The electronic music of Kid A and Amnesiac was inspired by Yorke's admiration for Warp Records artists such as Aphex Twin; in 2013, Yorke named Aphex Twin as his biggest influence. Kid A also samples early computer music. 1970s krautrock bands such as Can and Neu!, were other major influences during this period. Jonny Greenwood's interest in 20th-century classical music also had a role, as the influence of composers Krzysztof Penderecki and Olivier Messiaen was apparent. Since the recording of Kid A, Greenwood has played the ondes Martenot, an early electronic instrument popularised by Messiaen. Recording In Rainbows, Radiohead mentioned rock, electronic, hip hop and experimental musicians as influences, including Björk, M.I.A, Liars, Modeselektor and Spank Rock. In 2011, Yorke denied that Radiohead had set out to make "experimental music", saying they were "constantly absorbing music" and that a variety of musicians are always influencing their work.

Yorke is Radiohead's principal songwriter and lyricist. Songs usually begin with a sketch by Yorke, which is harmonically developed by Jonny Greenwood before the rest of the band develop their parts. Arrangement is a collaborative effort, with all members having roles in the process. While Greenwood plays most lead guitar parts, O'Brien often creates ambient effects, making extensive use of effects units. The band often try several approaches to songs, and may develop them over years; for example, Radiohead first performed "True Love Waits" in 1995 before releasing it in a different arrangement on A Moon Shaped Pool in 2016. Greenwood said he saw Radiohead as "just a kind of an arrangement to form songs using whatever technology suits the song. And that technology can be a cello or it can be a laptop. It's all sort of machinery when looked at in the right way."

The Kid A and Amnesiac sessions brought a change in Radiohead's music and working methods. Since their shift from conventional rock music instrumentation toward an emphasis on electronic sound, the members have gained flexibility and now regularly switch instruments depending on the particular song requirements. On Kid A and Amnesiac, Yorke played keyboard and bass, while Jonny Greenwood often played ondes Martenot, bassist Colin Greenwood worked on sampling, and O'Brien and Selway branched out to drum machines and digital manipulation, also finding ways to incorporate their primary instruments into the new sound. The relaxed 2003 sessions for Hail to the Thief led to a different dynamic, with Yorke saying his power in the band had been "absolutely unbalanced" and that he would "subvert everybody else's power at all costs. But ... it's actually a lot more healthy now, democracy-wise."

Legacy and influence

Radiohead had sold more than 30 million albums worldwide by 2011. Their work places highly in both listener polls and critics' lists of the best music of the 1990s and 2000s. In 2005, they were ranked 73rd in Rolling Stone's list of "The Greatest Artists of All Time"; Jonny Greenwood and O'Brien were both included in Rolling Stone's list of the best guitarists, and Yorke in their list of the best singers. In 2009, Rolling Stone readers voted Radiohead the second-best artist of the 2000s, behind Green Day. Five Radiohead albums have been nominated for the Mercury Prize, making Radiohead the most nominated act in the prize's history. They have been listed among the greatest bands of all time by Spin (15th) and among the greatest artists by VH1 (29th). They were also ranked as the third best British band in history by Harry Fletcher of the Evening Standard. Radiohead were inducted into the Rock and Roll Hall of Fame in 2019.

Radiohead are cited as one of the foremost rock bands of the 21st century. Their 90s albums The Bends and OK Computer[nb 2] influenced a generation of British acts, including Coldplay, Keane, James Blunt and Travis. Their experimental approach is credited with expanding alternative rock. According to AllMusic journalist Stephen Thomas Erlewine, in the early 21st century, Radiohead became "a touchstone for everything that is fearless and adventurous in rock", succeeding David Bowie, Pink Floyd, and Talking Heads. In 2003, Village Voice critic Robert Christgau wrote that Radiohead were "the only youngish band standing that combines critical consensus with the ability to fill a venue larger than the Hammerstein Ballroom". Gavin Haynes of NME described Radiohead in 2014 as "our generation's Beatles". In 2020, academic Daphne Brooks described Radiohead as "the blackest white rock band to emerge over the past 30 years", citing their black jazz influences, influence on black artists, and their "introspective other worlds", which parallel the work of radical black artists.

Kid A is credited for pioneering the use of the internet to stream and promote music. The pay-what-you-want release for In Rainbows is credited as a major step for music distribution; Forbes wrote that it "helped forge the template for unconventional album releases in the internet age", ahead of artists such as Beyoncé and Drake. Speaking at Radiohead's induction into the Rock and Roll Hall of Fame, Talking Heads singer David Byrne praised Radiohead's musical and release innovations, which he said had influenced the entire music industry.

Collaborators

"Modified bear" logo by Yorke and artist Stanley Donwood

Nigel Godrich first worked with Radiohead as an audio engineer on their second album, The Bends. He has produced all their studio albums since their third album, OK Computer. He also plays Chieftain Mews, a long-running character appearing in Radiohead's promotional material. Godrich has been dubbed the band's "sixth member", an allusion to George Martin being called the "Fifth Beatle". In 2016, Godrich said: "I can only ever have one band like Radiohead who I've worked with for this many years. That's a very deep and profound relationship. The Beatles could only have ever had one George Martin; they couldn't have switched producers halfway through their career. All that work, trust, and knowledge of each other would have been thrown out of the window and they'd have to start again."

Graphic artist Stanley Donwood met Yorke when they were art students. Together, they have produced all of Radiohead's album covers and visual artwork since 1994. Donwood works in the studio with the band as they record, allowing the music to influence the artwork. He and Yorke won a Grammy in 2002 for the special edition of Amnesiac packaged as a library book.

Dilly Gent has commissioned all Radiohead music videos since OK Computer, working with the band to find directors. Since Radiohead's formation, Andi Watson has been their lighting and stage director, designing the visuals of live concerts, such as the carbon-neutral "LED forest" of the In Rainbows tour. Backline Chief and Technician Peter "Plank" Clements has worked with Radiohead since before The Bends, overseeing the technical management of studio recordings and live performances. Jim Warren has been Radiohead's live sound engineer since their first tour in 1992, and recorded early demos and studio tracks including "High and Dry" and "Pop Is Dead". Drummer Clive Deamer was enlisted in 2011 to help perform the complex rhythms of The King of Limbs, and has performed and recorded with Radiohead since. Paul Thomas Anderson has directed several music videos for Yorke and Radiohead, and has collaborated with Jonny Greenwood on several film scores and the 2015 documentary Junun.

Song catalogue

Radiohead recorded their first six albums under contract with Parlophone, a subsidiary of EMI. For their seventh album, In Rainbows (2007), they did not renew the contract, as they did not trust the new management under Guy Hands and EMI would not give them control over their back catalogue. They have self-released their subsequent work, with retail editions released by XL Recordings. In October 2015, Radiohead sued Parlophone for deductions made from downloads of their back catalogue.

In September 2012, EMI was bought by Universal Music. The European Commission approved the deal on the condition that Universal Music divest Parlophone, which controlled the Radiohead records. In February 2013, Parlophone, along with Radiohead's back catalogue, was bought by Warner Music Group (WMG). As a condition of the purchase, WMG made an agreement with the Merlin Network and trade group Impala to divest 30% of the Parlophone catalogues to independent labels, with artist approval. As a result of the Impala agreement, in April 2016, WMG transferred Radiohead's back catalogue to XL. The Best Of and the reissues released by EMI in 2008 without Radiohead's approval were removed from streaming services.

Band members

  • Thom Yorke – vocals, guitar, piano, keyboards
  • Jonny Greenwood – guitar, keyboards, ondes Martenot, orchestral arrangements
  • Colin Greenwood – bass guitar
  • Ed O'Brien – guitar, effects, backing vocals
  • Philip Selway – drums, percussion

Additional live members

  • Clive Deamer – drums, percussion (2011–present)



Source : Wikipedia
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Radiohead Discography

  • 1992EPCreep
  • 1992AlbumDrill EP
  • 1993SingleAnyone Can Play Guitar
  • 1994EPMy Iron Lung
  • 1995SingleFake Plastic Trees
  • 1995EPHigh & Dry / Planet Telex
  • 1995SingleJust
  • 1996EPStreet Spirit (Fade Out)
  • 1996SingleTalk Show Host (Nellee Hooper Mix)
  • 1997EPKarma Police
  • 1997AlbumOK Computer OKNOTOK 1997 2017
  • 1997EPParanoid Android
  • 1998SingleNo Surprises
  • 2000SingleTreefingers (Extended Version)
  • 2001EPKnives Out
  • 2001EPPyramid Song
  • 2004EPCom Lag: 2+2=5
  • 2005SingleI Want None of This
  • 2011SingleTKOL RMX 8
  • 2011SingleThe Daily Mail / Staircase
  • 2011AlbumThe King of Limbs - Live from the Basement
  • 2016AlbumA Moon Shaped Pool
  • 2016AlbumAmnesiac
  • 2016SingleBurn the Witch
  • 2016SingleDaydreaming
  • 2016AlbumHail to the Thief
  • 2016SingleHarry Patch (In Memory Of)
  • 2016AlbumI Might Be Wrong (Live)
  • 2016AlbumIn Rainbows
  • 2016AlbumIn Rainbows Disk 2
  • 2016AlbumKid A
  • 2016AlbumOK Computer
  • 2016AlbumPablo Honey
  • 2016SingleSpectre
  • 2016SingleSupercollider / The Butcher
  • 2016AlbumTKOL RMX 1234567
  • 2016AlbumThe Bends
  • 2016AlbumThe King of Limbs
  • 2016SingleThese Are My Twisted Words
  • 2019SingleIll Wind
  • 2021SingleCreep (Very 2021 Rmx) [feat. Radiohead]
  • 2021AlbumKID A MNESIA
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